April is Jazz Appreciation Month. Have you heard of it? If you haven’t, you’re not alone.

First, a relevant disclaimer: article is written by a white woman who comes from a place of privilege, and I’d love for any non-white individual to contribute their opinions on jazz if they so wish. The last thing I want is to accidentally come off as any sort of Damien Chazelle white savior character.

The Tramp Stamps are that band whom the internet loathes right now. Their social media presence alone provides an indication as to why these women are being ruthlessly cyberbullied on TikTok.

But cringy lyrics and auto tuned vocals would be tolerable if they were the band’s only offense. Beyond overt marketing strategies that have yet to fool a soul, this band’s general aesthetic, lyrics and themes give a sinister impression of anti-feminism via the caricature method.

Social media has recently narrowed in on specific ways that women can act to put other women down—see “the pick me girl” or “the girl who wants your boyfriend/chill girl” trends of TikTok. But before society became self-aware, there was Acacia Brinley, at the exact wrong place at the exact wrong time.

Internalized misogyny has been the enemy of women for as long as society has been dominated by men, but the girls on Instagram and Twitter were so cruel and unrelenting from 2012-2015 that their actions seem monstrous today.